Lena Valaitis – I Want Everything

The new album by Lena Valaitis – I want everything on a 40 year old successful career can Lena Valaitis, meanwhile look back one of the most important pop singers of Germany,. in 2010, she celebrated this anniversary with the very personal album love is “, now her new album comes out on Friday, January 27, 2012, again produced by guaranteed hit Jack White on his label Gloriella music.” I want it all”is the new recording, which includes 12 new tracks and two bonus tracks, including”don’t hang up”, a Duet with Roland Kaiser, and a Lena Valaitis-hit Medley. Modern pop sounds of ballads to back to typical Lena Valaitis songs everything is United on this CD. “TV premiere the new Lena Valaitis-album on Saturday, January 28, 2012 at 20:15 in the winter festival of folk music” (ARD). The timeless singer presents from I want it all”the first single from a beautiful spring day (those were the days)”. ” You like to believe it, that Lena’s debut album the world of Stars and hits”exactly four decades ago, in 1972, to the market came Florian Silbereisen will lose on his show about probably the one or the other Word. As of July 13, 1970 with a stop to happiness for us”the debut single by Lena Valaitis was released, no one could guess that the singer would reach today a such constant media and TV coverage.

In the course of her long career occurred Lena in almost all German television shows and entertainment programmes and was for many years the Queen of charts”. She enthralled the audience at countless Gala and live performances and gave an immense number of interviews and autograph sessions. the first successful producer Jack White appeared in 1973 produced like a rainbow”single Sun, one of her biggest hits. “It was followed by the Evergreen a beautiful day”, which is still today represented in almost every concert is and here comes Jose, the street musician “, with the Lena stormed all charts. Lena Valaitis had her greatest success in 1981. She represented Germany at the Grand Prix Eurovision in Dublin.

Their Grand Prix victory was within reach. But the Switzerland gave the German Grand Prix contribution vote no points. As England won with only four points ahead to Johnny Blue”and Lena achieved an excellent second place. “Her song Johnny Blue” became a huge hit. Especially the British made a great compliment, We love Johnny to her appearance”singer, wrote the media. This single was released in English and was high in the course: the song of the author team Ralph Siegel (music) and Bernd Meinunger (text) appeared in 14 European countries. After this spectacular success, show experts from all over Europe to Lena Valaitis tore. “1982 Jack White produced the song Gloria” for the sympathetic singer and 1984 when drops of rain on us, the German version of the hits when the rain begins to fall “, Sung in the original by Jermaine Jackson and Pia Zadora. Still, Lena Valaitis can chalk up large success title for themselves with their publications. You was awarded several Gold records and 1982 in her career the Goldene Stimmgabel.

Novembers Doom

In addition, much use of clean and frequently occurring operatic vocals. Also a distinctive feature, along with the lyrics is the vocals, which are much more expressive, epic, in some sort of staging is compared with the traditional singing of doom metal. Read additional details here: John Bercow MP. If we talk about the origins of this trend, they are seen in the works of such seemingly nothing in common with doom metal bands like Iron Maiden and Manowar. The most typical and well known representatives of epic doom metal are the same Candlemass, Solitude Aeturnus, Doomsword. Also in mid / late 90-ies of XX century there were other teams, mostly from England, to promote the epic doom metal in their music, for example, Solstice. Doom-death metal: I think that special efforts should not guess what it is for a fusion of the two stylistic trends of metal – death and, in fact, doom genre. Here we observe the predominance of tighter rhythm section and growling, with regard to tempo, it is usually low or medium. The most famous representatives of this trend are groups such as: Paradise Lost (mostly early works), My Dying Bride, Novembers Doom, Winter, Tiamat (early work), Mourning Beloveth, Anathema (earlier works), Saturnus, Katatonia (mostly early works) and other groups. Funeral doom metal (funeral): here of traditional doom metal was borrowed typical slow pace, and that was even more retarded. Attention in most cases it was especially devoted to his unprecedented relaxed, in fact, beyond the grave atmosphere despair, hopelessness, loneliness, and a kind of alienation.

Black Sabbath

For base are metal music, classical instruments, ie: bass, guitar and drums, which is mainly used by low-order guitar and bass; reefs are usually very rough in nature, and guitar solos slow fading finish. But in addition to the standard set of musical instruments in the doom metal music may be used and others, such as harp, violin, cello, trumpet, etc. As for the vocal forms found in the doom metal, they can be very diverse: growling, screaming, clean male and female vocals. If we talk about the history of doom metal, then it can be conditionally divided into several stages: the emergence of direct stylistic direction, referring to the 1970's, the highest point of activity and development, falling for the next decade, ie 1980, and the so-called "second wave doom metal, characterized the 1990s. Add to your understanding with Timepieces. Along with Black Sabbath, the original doom metal, and still regarded as a proto-doom, performed, and other musical groups (Black Widow (England), Pentagram (U.S.). But, nevertheless, it is early Black Sabbath albums such as: Black Sabbath (1970), Paranoid (1970), Master Of Reality (1971), Volume 4 "(1972), Sabbath Bloody Sabbath (1973)," Sabotage (1975) considered to be classics of doom metal. Then in the 80s of XX century after the founding Black Sabbath, was born a whole galaxy of groups performing their music in the genre of doom metal – among them Saint Vitus (which are practically almost clones of the pioneers of Black Sabbath), as well as Trouble, Pagan Altar, Candlemass, etc. In the 90's like doom metal got its second wind, thus transforming into new forms and getting an unexpected shape.

Sixstring Guitar

Suppose that you have already overcome meal choice of the guitar and became the owner of an expensive heart tool. What do I do next? Customize. Avoid playing untuned or poorly tuned guitar. It may prevent you acquire the skills and experience (both hearing and playing), to which you wanted to buy a guitar. Must accustom himself to this right from the start.

And before every game try to check the system and adjust if something “slipped.” Now just to set up a guitar. It’s about six-string guitar. Customize your guitar – means to make each string guitar sound a certain way. It is meant to sound frequency. For those who do not have perfect pitch to do it without some other reference sources, audio or extras will be difficult.

As the sound source, you can use other known tuned instrument, fork, etc. Ideally, you can configure each string of seeking unison with the standard sound. In practice, in most cases do not. Most often achieve the correct sound the first (lowest and thin) string, and then on her “build” the rest of the string. This is the best option. He’s not here we will consider the correct order six-string guitar: 1st string – Mi (E), 2nd string – C (B) 3rd string – Sol (G) 4th string – Re (D) 5th string – La (A) 6th string – Mi (E) As seen, the sound of the first string must match the note Mi. Extract from the reference (adjusted) of the instrument a note to MI, and sought to open first string sounded in unison. When using fork (preferred), be aware that it complies with the sound of the first octave note, La – frequency of 440 Hz. So, hold the first string at the 5th fret and playing in unison achieve tuning fork. Now tune the other strings. The second string, sandwiched on the 5th fret to sound in unison with the first. The third string at the 4th fret in unison with the second. The fourth string at the 5th fret in unison with the third. The fifth string at the 5th fret in unison with the fourth. And the sixth string at the 5th fret in unison with the fifth. Please note that you can not get a bit with the first string – it’s not so bad. But the rest of the strings is important to achieve a clear match. If you make a mistake with some string (eg, third), then on the error “napolzet” on the fourth, fifth and sixth strings. In this case, the result may frustrate you. Therefore, we recommend after setting up the guitar to verify. The first and sixth string should be played in unison by two octaves. Electronic tuning. Customize your guitar, you can use an electronic tuner. Of course, have to fork out a bit. But the tuners are accurate and easy to use. Many tuners are show too low or too high note played. I highly recommend to use the tuner in tuning guitars. Program tuner can pick up free here. And in the end. Periodically recheck the setting on the Guitar tuning fork (the tuner or other audio source reference). This would avoid the neck (too much string tension). Excessive tension of strings harm the instrument. In addition, if the strings are long drag state, they are deformed. This changes the physics of string theory. Consequently, the sound suffers, even when properly build a guitar. Good luck and creative successes.